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Updated August 3, 2016


Various Artists – BEATLES BEGINNINGS - AINTREE INSTITUTE SET 1961



 Label (Company): Rhythm & Blues Records
 Country: Great Britain (but LP was pressed in Czech Republic)
 Format: 12" LP
 Number of records: 1
 Barcode: 5060331750567
 Catalogue number: R&B5
 Catalogue number of side 1: 33XX
R&B5
 Catalogue number of side 2: 33XX
R&B5
 Matrix number of side 1: 132651E1/B [machine stamped]
 Matrix number of side 2: 132651E2/A [machine stamped]
 Mono or Stereo: Mono
 Rotation speed:

33 1/3 rpm

 First release date: June 10, 2015


Click on image to enlarge

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Various Artists – BEATLES BEGINNINGS - AINTREE INSTITUTE SET 1961 (Rhythm & Blues Records R&B5) – cover, front side   Various Artists – BEATLES BEGINNINGS - AINTREE INSTITUTE SET 1961 (Rhythm & Blues Records R&B5) – cover, back side

Cover, front side

Обложка, лицевая сторона

 

Cover, back side

Обложка, оборотная сторона


Various Artists – BEATLES BEGINNINGS - AINTREE INSTITUTE SET 1961 (Rhythm & Blues Records R&B5) – standard inner sleeve for LP, front side   Various Artists – BEATLES BEGINNINGS - AINTREE INSTITUTE SET 1961 (Rhythm & Blues Records R&B5) – standard inner sleeve for LP, back side

Standard inner sleeve for LP, front side

Стандартный внутренний пакет для пластинки,
лицевая сторона

 

Standard inner sleeve for LP, back side

Стандартный внутренний пакет для пластинки,
оборотная сторона


Various Artists – BEATLES BEGINNINGS - AINTREE INSTITUTE SET 1961 (Rhythm & Blues Records R&B5) – spine
Spine - the front side of the sleeve up

Корешок - обложка расположена лицевой стороной вверх


Various Artists – BEATLES BEGINNINGS - AINTREE INSTITUTE SET 1961 (Rhythm & Blues Records R&B5) – label, side 1   Various Artists – BEATLES BEGINNINGS - AINTREE INSTITUTE SET 1961 (Rhythm & Blues Records R&B5) – label, side 2

Label, side 1

Этикетка, сторона 1

 

Label, side 2

Этикетка, сторона 2



SIDE 1:

N Title and authors Time Artists and comments
1.  WILLIAM TELL OVERTURE (Rossini) 0:19  ROSSINI
2.  WHAT'D I SAY (Ray Charles) 3:13  Jul 1959 Ray Charles version GERRY & THE PACEMAKERS
3.  BOYS (Dixon-Farrell) 1:41  Jan 1961 Top Rank 540 THE SHIRELLES
4.  WILL YOU LOVE ME TOMORROW (Goffin-King) 2:49  Jan 1961 Top Rank 540 THE SHIRELLES
5.  WOODEN HEART (Wise-Kaempfert) 2:00  Nov 1960 RCA 47-9340 ELVIS PRESLEY
6.  C'MON EVERYBODY (Cochran-Copehart) 1:55  Mar 1959 London HLU 8792 EDDIE COCHRAN
7.  TWENTY FLIGHT ROCK (Fairchild-Cochran) 1:43  Apr 1957 Eddie Cochran version GENE VINCENT & EDDIE OCHRAN
8.  HALLELUJAH! I LOVE HER SO (Charles) 2:09  Dec 1959 Ray Charles version HORST FASCHER *
9.  NEW ORLEANS (Guida-Royster) 2:44  Nov 1960Top Rank JAR 527 GARY U.S. BONDS
10.  MAILMAN, BRING ME NO MORE BLUES (Robert-Katz-Clayton) 2:21  Jul 1958 Coral LVA 9085 BUDDY HOLLY

* Actually this is The Beatles with Horst Fascher on lead vocal during their New Year's Eve show in Star-Club, Hamburg, December 31, 1962.

* На самом деле, это Битлз с ведущим вокалом Хорста Фашера во время их предновогоднего шоу в Стар-Клубе, Гамбург, 31 декабря 1962 года.


SIDE 2:

N Title and authors Time Artists and comments
1.  RED SAILS IN THE SUNSET (Kennedy-Williams) 2:03  Jul 1960 Emil Ford version THE QUARRYMEN **
2.  CRYING, WAITING, HOPING (Holly) 1:49  Sep 1959 Vogue Coral 72376 BUDDY HOLLY
3.  OVER THE RAINBOW (Harberg-Arlen) 3:02  May 1959 Capitol 15000 GENE VINCENT
4.  MEAN WOMAN BLUES (Demetrius) 2:30  Aug 1957 RC 24001 ELVIS PRESLEY
5.  LUCILLE (Penniman-Collins) 2:31  Jun 1957 London HLO 8446 LITTLE RICHARD
6.  HEY, GOOD LOOKIN' (Williams) 2:11  Nov 1958 Gene Vincent version HANK WILLIAMS
7.  BLUE MOON OF KENTUCKY (Monroe) 2:06  Sep 1957 HMV 7EG 8256 ELVIS PRESLEY
8.  LOVEMETENDER (Presley-Matson) 2:30  Oct 1956 HMV253 ELVIS PRESLEY
9.  DON'T FORBID ME (Singleton) 2:09  Feb 1957 London 8370 PAT BOONE
10.  CORRINE, CORRINNA (Trad) 2:36  1960 London 9246 RAY PETERSON
11.  WILLIAM TELL OVERTURE (Rossini) 0:13  ROSSINI

** Actually this is The Beatles during their New Year's Eve show in Star-Club, Hamburg, December 31, 1962.

** На самом деле, это Битлз во время их предновогоднего шоу в Стар-Клубе, Гамбург, 31 декабря 1962 года.



NOTE:

Text from back side of cover:

This is not a Beatles Live LP. It is an attempt to conjure up the atmosphere of a Beatles show from 1961 by taking the first documented Beatles set list and presenting the songs they sang in the order in which they were performed. In order to enhance the fantasy listening experience, live performances of the music have been used where available.

Drummer John Cochrane of Wump & His Werbles transcribed this list of songs the Beatles played when the two groups performed together at the Aintree Institute sometime in January/February 1961.The date can't be pinned down to anything more specific than somewhere between the release date of the most recent record the Beatles played that night (The Shirelles Boys issued in January 1961) and the group's departure for a season at the Top Ten Club in Hamburg at the end of March 1961.

But then again, it may have been at the Lathom Hall in Seaforth...Werbles singer Rod Punt recalls "I'll never forget it. We had just bought a new Selmer Truvoice Selectatape amplifier and they asked if they could borrow it. We lent it to them and they went on stage and started tuning up. John Lennon had his new Rickenbacker, played one chord and four strings broke all at once. He came off stage and we all helped him to restring it. They started playing and we watched from the wings. Paul was on rhythm guitar and we noticed that between numbers he would plug his guitar in and pluck a few notes. When the band started playing he would take the jack-plug out! We were convinced he wasn't playing at all. We then went out front to watch and, horror of horrors, Stuart Sutcliffe was playing bass guitar through our brand-new amp. It was bouncing all over the place. We never let anyone borrow our gear again!"

The Aintree Institute was built in Longmoor Lane, Aintree by jam maker W.P. Hartley for his workers in 1896 as an educational and social centre. The Beatles appeared here thirty-one times for promoter Brian Kelly's BeeKay Productions between January 7th 1961 and January 27th 1962. The venue was situated behind the Black Bull pub, close to the Aintree racecourse."

Brian Kelly employed Bob Wooler to stage the dances for him and compere the shows. Mark Lewisohn relates how Wooler instructed them to prepare for their performances in darkness behind the curtains while he was playing records. "For them alone, to command everyone's attention to something really special, Wooler played the opening cavalry charge of Rossini's William Tell Overture. Lifting the needle when the fanfare finished, he would announce ‘It's the Beatles!'...and there they'd be, blinking in the light and completely in command, rocking, stomping and thrilling."

By the time the Beatles played their last gig at the Institute, Brian Epstein was in charge of their affairs. For some reason, Brian Kelly took a dislike to Epstein and paid the group's £15 fee (£250 in today's money) in loose change. It would be the last time the group played for Kelly.


Nick Duckett



ПРИМЕЧАНИЕ:

Издатели данной пластинки постарались воспроизвести атмосферу ранних выступлений Битлз. Для этой цели они собрали композиции разных исполнителей, которые группа исполняла во время своих выступлений в Aintree Institute (январь-февраль 1961 года). При этом, старались подбирать источники, где композиции были записаны живьём. Впрочем, более подробно об этом можно узнать из текста, расположенного на оборотной стороне обложки. Он приведен в англоязычной части страницы.
Данный релиз явно был первоначально предназначен для выпуска на компакт-диске. Этот вывод можно сделать из того, что вся запись смонтирована нон-стоп в одну единую звуковую дорожку. Однако, деление записи на стороны было сделано неумело. В самом конце первой стороны на протяжении примерно 6 последних секунд можно услышать шум зала и настройку инструментов, которые предшествуют исполнению композиции Red Sails In The Sunset, открывающей вторую сторону пластинки.
Для того, чтобы как можно дальше уйти от нарушения авторских прав, две композиции в исполнении реальных Битлз были "спрятаны" под именами других исполнителей, о чём указано в примечании к треклисту.



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